Friday, October 26, 2018

How I Fixed Moana With Help From Voltron Part II



So. The giant question of identity. Moana showed us part of the equation, but what’s the other half? What was the final piece that Moana missed?

It was choice. The power we all have to make our own decisions. That’s the other half. Family history, DNA, psychology, bodily rhythms…etc, all of those things are huge influences on who we are. But they are not ALL of who we are. The other half is the choices that we make.

That’s the theme that I saw in the Blade of Marmora episode in Voltron season 2. Keith’s knife was the only clue he had about his past, his parents, and where he came from. A knife inscribed with the symbol of the Blade of Marmora resistance group. But the Marmorians were furious when they discovered that he had one of their knives. They insisted that he return it to them. Keith refused, choosing to go through the Trials of Marmora instead, where he would obtain knowledge…or death.

Keith shows grit, stubbornness, perseverance, and strength as he goes through the physical and mental trials. A vision of Shiro chastises him for refusing to give up the knife. Shiro says, “Just give them the knife. You know exactly who you are. A paladin of Voltron. We’re the only family you need.” Keith resists the temptation. I was thinking, “Yeah! Go, Keith! Don’t give in!” And then Keith sees a new vision. The vision that presents him with a terrible choice: give up the knife, or watch the earth burn. 

Video link: Keith's Vision

And then it happens. The critical moment. Keith is barely conscious, the red lion is attacking the base, and Shiro is ready to fight through every Marmorian soldier to rescue Keith. And then Keith does the LAST thing I ever expected. He gives up the knife:

Video Link: Waking the Blade

The knife glows with an inner light and lengthens to its full size. Keith passed the test! He awakened the blade!

By letting go of his desire to learn about his past, he became worthy of the blade. I was like, “Wow. That was amazing. Wait a sec, THAT’s the other half of the Moana equation!!!” Choice!!!

Although family history and DNA are very important parts of our identities, the other part of who we are is the choices that we make. That’s an identity that has nothing to do with our heritage, where we come from, or our parents. A friend of mine was commenting on the Westworld series and said this about choices: we all have different voices inside of us. Who we are is determined by which voice we choose to follow: “[Agency] is understanding that different parts of you will argue for different paths. Agency is a matter of choosing identity, binding yourself to a path [by] fostering habits of thought and action…these choices, of necessity, restrict future options, but the point of life isn't to keep many options available; it's to make morally better ones available.”

Ultimately, it didn’t matter where Keith came from, and after I saw that episode, I figured out how to fix the Moana climax scene:

Moana holds up the heart of Te Fiti, and the demon Te Ka races towards her. Moana sings:

“This is not who you are. You know who you are…”
And the next line would be:

Who you choose to be.”

Moana would hold the heart up high, and Te Fiti would reach out, and take the heart herself, making a clear choice of who she wants to be.

THAT would have been a very powerful ending. Disney ALMOST hit the nail on the head, but not quite. And maybe my ending doesn’t quite work either. It has the other half of the identity equation, but isn’t fully aligned with the context and buildup of the climax scene. I’d probably have to fiddle with the choreography for it to fit. Anyhow, I hope Disney will hit the nail on the head next time, like they did with Zootopia. (And Big Hero 6, and Frozen, and Wreck it Ralph, and if we want to get into Pixar, Wall-E, Bug’s Life…and I need to look at a full list of Disney/Pixar movies to complete this list…so stay tuned for next week’s post) 


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